Tuesday, July 4, 2017

"All Ships Rise in Rising Waters! Hop Aboard or Drown On Your Land"-Says Cider Market

Trending in the wine world is talk over embracing "industrial production."
For those who don't know what that means, that’s essentially the antithesis to “traditional wine” by way of all the modern tools available today. These tools, or “advancements”, extend far beyond the actual wine making part too, and include advancements in grape farming, business financing, marketing and global distribution. A lot has changed in the 8000-year-old world of wine in just the last 40 years.

Proponents of industrial production say that it appropriately responds to our ever-growing economy and escalating human population by scaling itself accordingly, and its use of scientific and technological advances are in keeping with the modern lives real people live today. By employing all these measures, “industrially produced” wine is able to keep prices far lower than traditional wine and reach more people who otherwise would never drink wine.

But critics argue that real wine can not be elevated above the natural processes. Industrial manipulation and “scaling-up” only creates a fake version of the real thing, and it’s an erosion of the truth to liken it to the authentic version. “It’s either real or it’s not; There are no gradations,” the purists claim. And traditional wine is usually characterized by it’s business models which are individually owned and personally financed. This, arguably, keeps outside pressures at bay and the focus on nature.

You can read more about leading arguments on both sides from Bianca Bosker and Eric Asamov, whos' opinions toil with additional baggage, such as wine snobbery, farm and cultural ethics, and true artistry. These are great reads!

I think both sides have good, valid points but my ultimate opinion comes down to this: What is more accurate in the minds of the consumer, or said another way, what does the customer "picture" when they picture “wine”? Because this is a matter of truth we are talking about, and despite tolerating all the other trade-offs, sacrificing the truth is not acceptable.

Do customers picture the truth when they grab a 10$ bottle of wine from Trader Joes, or, is there something hiding in the bottle that the industrial wine-producer doesn't want us to know about the farming, the business model, and the wine-production methods? But here's the question that this is really all about: Is it forgivable that wine-marketing be intentionally misleading now that we have entered a new world where "we know we are being lied to" but do nothing about it.
(This ends up looking a lot like the “fake news” argument: Does misleading people eventually become an accepted form of new reality? No wonder this is a timely debate going on in the wine world today!)

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Well, well, well... If the wine world only knew what was going on in the cider world these past five years!!! As the US Cider Association and other trade organizations have quickly, perhaps hastily, sought to unify any-and-all things "cider," the most pressing question of all has been intentionally subverted: Is industrial produced/ industrial farmed/ and industrially financed hard-cider really cider at all? And, if isn't, how can true cider align itself with the fake?

You can guess my opinion on the matter. And it’s not very compromising. I can understand why industrial producers would want to associate with the little guy (to make it look like their product is linked to nature, small farms, and tradition, (marketing)) but why did the majority of smaller producers help subvert this all-important distinction? When cider-alliances were being formed (and a lot have in the last 5 years) why have so many small guys shelved their only advantage?

The answer I get time and time again is this: “The rising tide floats all boats.” Like Bianca Bosker, they argue smaller producers will reap unforeseen benefits from the influx of industrial-sized marketing dollars. They believe that having cider available everywhere, like beer and cheap wine, extends cider into markets and a demographic that may eventually find true cider too.

What they argue might be correct. I concede that “All cider” sales are up these past five years (including mine,) and a possible reason for this is the increased visibility of “cider” from dubious sources, but I reject the trade-off with elements of the truth. This involves what the customers imagine to be true. Are customers 100% aware of where industrial/ Modern cider breaks from their vision of cider? Absolutely not.

Big cider money might amount to free advertising for the little guy... but nothing is free. The trade-off is far worse.

I have seen mega-companies spend millions of dollars to lure customer into associating their products with traditional cider. And working the other way around, I have also seen dozens of small companies from Vermont to Maryland, from Michigan to Oregon attempt to "go industrial” without losing the perception of being traditional. But in the end, I will not, and can not, cooperate with them in the erosion of truth as presented to the customer, even if it were beneficial to me. Protecting the truth is more important than money.

Getting back to the real definition of cider (and is industrial cider still “cider”)… The relationship we have with the customer is inseparably part of the definition. The customer is not a blank slate for marketing to persuade. To the contrary, the customer is part of the tradition. They have a vision for cider. They believe in it. We must serve that truth, or be very clear that we are approaching it differently.

This is my flood warning to all those who wish to collaborate with the big guy (Big cider, Bigger money, and Big apple farming): The rising tide does float all boats if  the boat is no longer tethered to land. But cider, as the customer believes it to be, is not the tide, it is the land. Cider is: farms, farmers, apple trees, and the local population, all immediately clustered around these combined components. This is what the customer believes and this truth is the goal. So to stretch the truth by "going-industrial”, scaling above your area, or to mislead the customer about the process, in my mind, is unforgivable. Even if a portion of the product is authentic the overall brand becomes tainted by dishonestly. And this extends up into trade associations too: Some of the producers might be the real deal, but if they are aligned with dishonest producers their credibility and the truth is undermined.

Thursday, May 25, 2017

The 2016 vintage (if the Fed lets me call it that)



(For CSA details and available ciders see link: AB Ciders)
Greetings to you all, 
May 2017: The trees, the cider, Polly and I are all emerging from dormancy and ready for a new growing season while simultaneously welcoming the product from last years’ fruit. We are accustom to Springs’ double workload after the natural period of rest, but this year the beating sounds of winter’s fury threatened to disrupt our slumber. And it was a warm winter.
2016 was by many standards a disaster –I’m speaking agriculturally now. Blossom-time frosts erased the apple crop for the majority of the apple growers in the Northeast. Then following the warm, dry winter of 2015-16, the growing season was defined by prolonged drought. In all, it was a stressful year for the trees. (They responded by setting-up fruit buds for an abundant 2017 season.)
For those who did have apples last year, the Fall was the one bright spot. It too was dry but that’s when you want it to be so. We started getting our cool nights later than usual but the frost-free period lasted well into November creating a good ripening period. I have no qualms about the mild December because that’s when I’m outside cleaning barrels and accidentally spraying myself with the hose. Unfortunately, the winter, especially January, was way too mild and that’s when trees and cider are supposed to be at rest. For the second straight year our ciders were dry by February, threatening the “fruit” notes (In 2012 I learned to prepare for this with Sussreserves.)  
Despite all the environmental stresses (and I’m not just talking agriculturally now) the 2016 ciders, as limited as they are in quantity, still managed to triumph over it all. I think that speaks directly of the apple tree. Foraging under abandoned trees now for almost 25 years I have an inkling why they are known as the tree of wisdom. With a better perspective on time and a more sensitive feel for what’s going on in the environment, the apple tree calmly and wisely decides how to deal with what life throws at it. In contrast to our hysterics and brutal decisions, the apple tree is the champion of acclimation. It is not an “invasive”, but it knows how to assimilate to new and existing factors. And just like its juice sitting dormant in the winter barrel, it all comes together no thanks to our presumed intelligence.
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So what are we looking at this year? As mentioned a killing frost found the blossoms in most of the Northeast but in higher elevations the trees held onto dormancy a bit longer and escaped. We had apples along the Shawangunk Ridge, the Neversink Highlands, and in the high valleys of the East Branch. Those trees had fruit but that still doesn’t mean they were loaded –it was going to be an off-year anyhow. So in total, we have less than 10% our previous Homestead Apple year and about 75% the quantities of Appinette and Elderberry Cider from farmed apples. And that brings us to the CSA, our first release of those ciders.
If I could, I’d love to sit down with each and every customer who tries these ciders to discuss the background of each product, to introduce ourselves and our methods, and to show you real-world examples of free apple trees (a rarity these days.) But alas, we can’t engage with customers year-round while still maintaining our focus on the trees and cider. We are “back-of-the-house” artists devoted to the language of taste; our goal is to create the conditions that allow the trees to speak for themselves. They are the subjects, but they require our whole presence.  
Our solution is to have two CSA days each year to welcome cider supporters to our home. During these two days you can hangout and sample the range, talk shop with in the cider barn, walk the orchards, or just pick up your cases. No Instagram post can capture the miracle of real apple trees, perhaps no cider can either. But for you to be here, the cider drinker, that’s another spoke in the wheel. It completes the cycle. Whether you come here or not, we thank you immensely for completing the whole.
Sincerely, Andy Brennan and Polly Giragosian

Tuesday, November 1, 2016

Wine Flaws



  It’s so much easier conversing with the internationally good-looking people of Miami Beach. It's like you don’t even need to introduce yourself, you can just tell right away these are deep, interesting people and you are going to hit it off perfectly. In contrast, in rural cultures -such as mine up there in the mountains of New York -it’s always a total surprise when you meet someone of interest. You just wouldn't expect it by looking them!
  Every winter I go down to Miami so that I can relate to people without all those flaws in the way- Big noses, love-handles, crooked teeth and splotchy skin… how is anyone supposed to get to know you? What a relief it is to be in Miami where the men are all sculpted as if by Michelangelo and the women seem painted by Botticelli (except with larger breasts, of course- they didn't have the science in 15th century Florence to correct boob size.)
  Miamians know perfection takes a lot of effort, but it’s worth it.
  Perfect people, by definition, don’t have flaws. They don’t have barriers hanging out preventing us from digging deeper and blocking the way from getting to know the person behind the face. I mean seriously, why can’t everyone else in the world just do the work? Maybe it’s because rural people still believe in God and not science? I don't know, just guess. Because everyone knows that after the Enlightenment science has made this planet a lot healthier than ever before! Or maybe it’s just because rural people don’t have the money to be perfect? Whatever their hangups are, I hope they evolve soon because it is one ugly planet out there. How are we to ever get to know one another with flaws still not conquered?

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   I wrote this satire after a conversation about ‘wine flaws’ with a notable cider/ wine buyer. Her take on the subject is that flaws are inherently distracting. She sorts through a drink like my East Branch cider as an auditor or inspector would, taking inventory of the notes, rather than experiencing them as flow in an overall story. My argument, or defense to flaws, is that if the apples have deep and positive character then the flaws can even enhance the experience and make the cider more human. It should be noted that this buyers is also well versed on Western European ciders, naturally fermented ciders like in Normandy or Somerset, where "clean" cider doesn't even exist. So to hear criticism of earthy or farmy notes confuses me. I see those qualities as layers in a complex orchestra.

  But let's be clear, we are not talking about overwhelming flaws, or purposely introduced yeast traits. Objectionable issues or contrived yeast styles do stick out like soar thumbs, and yes, they are a distraction from the apple (but in most poorly based ciders (as are most American ciders) that distraction is welcome.) No, what we are talking about in this essay are those faint farmy and earthy notes that you get in any high quality British or French cider, keeved or dry. These notes can also be briney, oaky, or even meaty but they are faint, peripheral and strangely complimentary to the mystery and message of the apple. How is that a flaw?

 Oh, I wish I could write more on this subject! There is so much about the American obsession with perfection and there is so much to our fear of flaws (and are they the same thing?) that I could write for months. For instance, I'm sure our need to conquer flaws in wine is completely related to monocultural farming, personal hygiene, and our national approach to human health! Ah, but the subject is too huge to take on in the middle of the pressing season. Perhaps this winter…