(Check out this slide show from my series of talks to promote my book #uncultivated, published by #chelseagreen.)
Now, the complicated part to all this, and where politics comes in, is figuring out what’s ultimately best for the crop, the environment, and for us (which includes our economy) because, they are all ALL related in a push-and-pull kind of way! (NOTE: every farmer adapts a “policy” for
how to deal with adversity. Make no mistake about it, this policy is
100% related to personal politics and cultural politics.)
For example, if you, as a pro-active consumer want to support a natural farm
policy (which, BTW, is an oxymoron, farming can only be "more natural"
or "less natural") then chances are you have a different cultural
politic than the people
who lean toward “conventional agriculture” which intervenes greatly to produce the majority of our foods. (Fun-fact: nine times out of ten, “organically-grown” crops are also a form of high-intervention agriculture. There’s “good organic” and “bad organic” but consumers rarely bother to align their personal policies with which one.) What I’m
saying here is this: Do customers and farmers align their health
politics, their voting politics, their food-consumption politics and
their environmental politics? Or, is it all superficial?… “Just tell me it’s natural and I’ll support it.” I’m
sorry, but you are having to do better than that. If you want the
truth, the whole truth, and nothing but the truth you are going to have
to lawyer-up and ask a lot of questions. It’s going to be a fight if you truly want to match your politics.
Here’s a confession: I wrote the book Uncultivated (shameless pitch here to buy it or listen to it on Audible) because I am a critic of culture. (If you haven’t read my book then you might brush past the fact culture, as in “high-culture”, and cultivation, as in “agriculture” share the same roots.) The book is an exposé! As an agricultural-insider I know that there’s a major disconnect between what customers think they are buying and what they’re actually buying. And it’s soooo easy to “man”ipulate in this situation! What is “local”,
for instance, is very often just the local re-selling of not-so-local
produce, like when a farmer stands in front of crops at the farmer’s market to suggest he/she was the one to grow it. (I’m one of those people who consider purposely omitted information a lie.)
But as a critic I also don’t
want to seem embittered. To be a critic is to love something. No one,
for example, and I do mean NO ONE, loves art more than an art critic.
So in the book I tried to temper my exposé with positive experiences. It’s true, in this environment of fear, distrust and partisan politics we are, more than ever!, in need of positive examples. So let me offer this to you: The apple tree gets it’s ass kicked by nature. They die, they get diseases, they lose out… they
are the underdog. But they keep coming back and finding ways of
adjusting to the situation. Even when farmers try to eradicate wild
apples (as they often do) the apple tree keeps popping up again in new
locations. Life is resilient.
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